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The Young Tradition Galleries - VG UK Vinyl LP
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THE YOUNG TRADITION Galleries (1968 UK 18-track LP
featuring the combined talents of Royston Wood, Pete Bellamy
& Heather Wood under the direction of Bill Leader, with guest
appearances from Swarb & Sandy Denny and arrangements
by Dolly Collins, front laminated picture sleeve. The sleeve
shows some creasing and discoloration to the unlaminated
rear and graded as 'Very Good' whilst the vinyl displays a few
light signs of play TRA172)
TRACKLISTING AND EXTRA INFORMATION
Intro:ductia (0.58)
An air which Peter picked up somewhere in his travels. The title, you will note, is a pun.
The Barley Straw (2.15)
From the singing of Harry Cox of Norfolk, this is a typical song of rural seduction.
What If a Day (2.13)
The arrangement for Thomas Campion's art song is by Dolly Collins, who should surely be recognised as an excellent English composer, although she is best known to the folk scene as Shirley's sister. (by Thomas Campion, arranged by Dolly Collins)
The Loyal Lover (1.15)
This version is from Lucy Broadwood's collection of West Country songs.
Entracte: Stones in My Passway (1.00)
We thought that everyone would realise that this was a joke, but no, some people actually complained about the scratches. Listen carefully; they revolve at 78 rpm, and come from an old record of military marches.
Idumea (2.07)
An America Sacred Harp hymn.
The Husbandman and the Servingman (1.43)
There is very limited tradition of harmony singing in England: a notable example is the Copper family of Sussex. This song comes from the Cantwell brothers of Oxford.
The Rolling of the Stones (0.54)
This is a fragment of a longer ballad, and was learned from the singing of Oscar Brand.
The Bitter Withy (2.18)
Peter learned this version from Audrey Coppard. It gives a far more believable picture of Jesus Christ than most of the ballads of his childhood.
The Banks of the Nile (2.09)
This is a song that all of us knew, but no specific version was used as the basis for the one recorded here; in fact, much of the arrangement developed as we were in the process of recording it.
Wondrous Love (2.46)
Another Sacred Harp hymn.
Medieval Mystery Tour (2.14)
The mystery is in deciding which of the three tunes is by Bert Jansch and John Renbourn (no prizes).
Divertissement: Upon the Bough (0.30)
This is Heather's musical setting of a short poem by A.P.H. which appeared in Punch. It is supposedly written by a little old lady who is anti-“blood sports”. Listen carefully, and apply your knowledge of natural history.
Ratcliff Highway (1.56)
Pete says that this is a collation (which I always thought was something to eat) of several versions.
The Brisk Young Widow (1.43)
Heather learned this from School Radio - remember Singing Together with William Appleby? Royston, as they say, got it from her.
Interlude: The Pembroke Unique Ensemble (1.01)
Pembroke for Wales (don't ask me why: it meant something at the time), unique because there was only Swarb on multi-tracked fiddle & mandolin (and Sandy Denny very discreetly, way down in the bass register, on piano) and ensemble because it was fairly together. The tune is Soldiers Three.
John Barleycorn (2.24)
From the Cecil Sharp collection. One of the many songs which we picked up by a process of osmosis.
The Agincourt Carol (4.38)
King Henry V was so appalled by the cost in lives of the victory of Agincourt thet he forbade it to be made the subject of song, but the author of this carol was spared because of the quality of his verse. Well, it's a nice story. This song was something of an endurance test for the musicians who played it straight through without a break. David Munrow, on shawm, practically collapsed afterwards.
Artist - The Young Tradition (click link for complete listing)
Title - Galleries (click link for more of the same title)
Year of Release - 1968
Format - vinyl LP album (LP record)
Record Label - Transatlantic
Catalogue No - TRA172 (click link for more)
Country of Origin - United Kingdom (UK)
Language - Regardless of country of origin all tracks are sung in English, unless otherwise stated in our description.
Additional info - Deleted, Picture Sleeve
Global Trade Item Number (GTIN) - 5053201353432
Condition - This item is in Excellent condition or better (unless it says otherwise in the above description). We buy items as close to Mint condition as possible and many will be unplayed and as close to new as you could hope to find. Irrespective of the source, all of our collectables meet our strict grading and are 100% guaranteed. Click here for more info.
RareVinyl.com Ref No - YT-LPGA820261
Related Artists - Peter Bellamy, Royston Wood & Heather Wood.
GENRES
Folk.
ORDERING
Availability - In Stock - Buy Now for shipping today
Postage/Shipping Cost - Add item to your basket for a postage/shipping quote. For further delivery info click here
Email - sales@rarevinyl.com to contact our sales team.
To order by phone - Call (+44) 0147485010
RareVinyl.com Reference Number - YT-LPGA820261
SELL TO US
Got vinyl records, CDs or music memorabilia to sell? – Sell to us at our buying site https://vinyl-wanted.com
TRACKLISTING AND EXTRA INFORMATION
Intro:ductia (0.58)
An air which Peter picked up somewhere in his travels. The title, you will note, is a pun.
The Barley Straw (2.15)
From the singing of Harry Cox of Norfolk, this is a typical song of rural seduction.
What If a Day (2.13)
The arrangement for Thomas Campion's art song is by Dolly Collins, who should surely be recognised as an excellent English composer, although she is best known to the folk scene as Shirley's sister. (by Thomas Campion, arranged by Dolly Collins)
The Loyal Lover (1.15)
This version is from Lucy Broadwood's collection of West Country songs.
Entracte: Stones in My Passway (1.00)
We thought that everyone would realise that this was a joke, but no, some people actually complained about the scratches. Listen carefully; they revolve at 78 rpm, and come from an old record of military marches.
Idumea (2.07)
An America Sacred Harp hymn.
The Husbandman and the Servingman (1.43)
There is very limited tradition of harmony singing in England: a notable example is the Copper family of Sussex. This song comes from the Cantwell brothers of Oxford.
The Rolling of the Stones (0.54)
This is a fragment of a longer ballad, and was learned from the singing of Oscar Brand.
The Bitter Withy (2.18)
Peter learned this version from Audrey Coppard. It gives a far more believable picture of Jesus Christ than most of the ballads of his childhood.
The Banks of the Nile (2.09)
This is a song that all of us knew, but no specific version was used as the basis for the one recorded here; in fact, much of the arrangement developed as we were in the process of recording it.
Wondrous Love (2.46)
Another Sacred Harp hymn.
Medieval Mystery Tour (2.14)
The mystery is in deciding which of the three tunes is by Bert Jansch and John Renbourn (no prizes).
Divertissement: Upon the Bough (0.30)
This is Heather's musical setting of a short poem by A.P.H. which appeared in Punch. It is supposedly written by a little old lady who is anti-“blood sports”. Listen carefully, and apply your knowledge of natural history.
Ratcliff Highway (1.56)
Pete says that this is a collation (which I always thought was something to eat) of several versions.
The Brisk Young Widow (1.43)
Heather learned this from School Radio - remember Singing Together with William Appleby? Royston, as they say, got it from her.
Interlude: The Pembroke Unique Ensemble (1.01)
Pembroke for Wales (don't ask me why: it meant something at the time), unique because there was only Swarb on multi-tracked fiddle & mandolin (and Sandy Denny very discreetly, way down in the bass register, on piano) and ensemble because it was fairly together. The tune is Soldiers Three.
John Barleycorn (2.24)
From the Cecil Sharp collection. One of the many songs which we picked up by a process of osmosis.
The Agincourt Carol (4.38)
King Henry V was so appalled by the cost in lives of the victory of Agincourt thet he forbade it to be made the subject of song, but the author of this carol was spared because of the quality of his verse. Well, it's a nice story. This song was something of an endurance test for the musicians who played it straight through without a break. David Munrow, on shawm, practically collapsed afterwards.
Artist - The Young Tradition (click link for complete listing)
Title - Galleries (click link for more of the same title)
Year of Release - 1968
Format - vinyl LP album (LP record)
Record Label - Transatlantic
Catalogue No - TRA172 (click link for more)
Country of Origin - United Kingdom (UK)
Language - Regardless of country of origin all tracks are sung in English, unless otherwise stated in our description.
Additional info - Deleted, Picture Sleeve
Global Trade Item Number (GTIN) - 5053201353432
Condition - This item is in Excellent condition or better (unless it says otherwise in the above description). We buy items as close to Mint condition as possible and many will be unplayed and as close to new as you could hope to find. Irrespective of the source, all of our collectables meet our strict grading and are 100% guaranteed. Click here for more info.
RareVinyl.com Ref No - YT-LPGA820261
Related Artists - Peter Bellamy, Royston Wood & Heather Wood.
GENRES
Folk.
ORDERING
Availability - In Stock - Buy Now for shipping today
Postage/Shipping Cost - Add item to your basket for a postage/shipping quote. For further delivery info click here
Email - sales@rarevinyl.com to contact our sales team.
To order by phone - Call (+44) 0147485010
RareVinyl.com Reference Number - YT-LPGA820261
SELL TO US
Got vinyl records, CDs or music memorabilia to sell? – Sell to us at our buying site https://vinyl-wanted.com